{
  "metadata": {
    "museum": "Musée d'Orsay",
    "buildDate": "2026-07-19",
    "visitDate": null,
    "videoId": "NmxMZIEDrWc",
    "videoUrl": "https://www.youtube.com/watch?v=NmxMZIEDrWc",
    "durationSec": 1632,
    "mapEdition": "2026-05"
  },
  "routeModes": {
    "express": {
      "name": "2小时主线",
      "stopIds": [
        "arrive",
        "nave",
        "source",
        "gleaners",
        "burial",
        "olympia",
        "women",
        "manet-lunch",
        "renoir",
        "rouen",
        "vangogh",
        "seurat",
        "gauguin"
      ]
    },
    "full": {
      "name": "完整路线",
      "stopIds": [
        "arrive",
        "nave",
        "liberty",
        "source",
        "gleaners",
        "studio",
        "burial",
        "olympia",
        "family",
        "women",
        "bazille",
        "batignolles",
        "manet-lunch",
        "monet-lunch",
        "renoir",
        "waterlily",
        "rouen",
        "cezanne",
        "vangogh",
        "seurat",
        "gauguin",
        "lautrec",
        "rodin"
      ]
    }
  },
  "levels": {
    "0": {
      "name": "0层｜历史起点",
      "rooms": [
        "入口",
        "中轴大厅",
        "1",
        "4",
        "7",
        "14",
        "18",
        "塞纳画廊"
      ]
    },
    "2": {
      "name": "2层｜世纪末巴黎",
      "rooms": [
        "50–67",
        "68",
        "69–72"
      ]
    },
    "5": {
      "name": "5层｜印象派到现代艺术",
      "rooms": [
        "28",
        "29",
        "30–33",
        "34",
        "35",
        "36–37",
        "38",
        "F. Cachin"
      ]
    }
  },
  "corrections": [
    {
      "old": "视频：按 A / B / C 入口排队",
      "now": "2026施工期改为入口1（Quai，定时票）与入口2（Parvis，无定时票/优先/行李）。"
    },
    {
      "old": "视频：6号厅可看《世界的起源》",
      "now": "官网当前明确标注“不在展厅展出”，从必看动线删除。"
    },
    {
      "old": "视频：雷诺阿名作固定在5层第二间",
      "now": "2026雷诺阿特展7月19日结束后陈列会调整；到馆当日点官网作品页核位。"
    },
    {
      "old": "视频：高更—劳特累克—梵高连续收尾",
      "now": "当前劳特累克重点作品在2层68厅；本路线先完成5层，再下2层，少走回头路。"
    }
  ],
  "stops": [
    {
      "id": "arrive",
      "order": 1,
      "title": "先认准 2026 施工期入口",
      "creator": "到馆动作",
      "level": "0",
      "zone": "入口",
      "room": "入口",
      "videoSec": 35,
      "intro": "奥赛在 2026 年 3 月至 2028 年夏季改造入口。持有定时票或已预约时段的 Paris Museum Pass 走“入口 1·Quai”；无定时票、优先访客、携带行李者走“入口 2·Parvis”。提前至少 15 分钟到，不再按视频里的 A/B/C 门找。",
      "direction": "先看电子票上的入口编号；过安检后不要急着上楼，先进入旧火车站主大厅。",
      "lookFor": "先看电子票上的入口编号；过安检后不要急着上楼，先进入旧火车站主大厅。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0035_ext.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/articles/travaux-au-musee-dorsay-330932",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 8,
      "kind": "必做"
    },
    {
      "id": "nave",
      "order": 2,
      "title": "旧火车站中轴大厅",
      "creator": "建筑定位",
      "level": "0",
      "zone": "中轴大厅",
      "room": "中轴大厅",
      "videoSec": 135,
      "intro": "奥赛原是为 1900 年巴黎世博会建造的火车站。拱形玻璃顶、巨钟和中央“铁轨”式长轴决定了今天的参观逻辑：两侧像旧站台一样排开展厅。先在这里建立方位感，后面找房间只需判断自己在塞纳河侧还是街区侧。",
      "direction": "面对大厅尽头的大钟站定：0层先走早期绘画，之后再一次上到5层，最后回2层。",
      "lookFor": "面对大厅尽头的大钟站定：0层先走早期绘画，之后再一次上到5层，最后回2层。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0135_nave.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/visite",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 4,
      "kind": "必看"
    },
    {
      "id": "liberty",
      "order": 3,
      "title": "巴托尔迪《自由女神》",
      "creator": "Frédéric Bartholdi",
      "level": "0",
      "zone": "中轴大厅",
      "room": "中轴大厅",
      "videoSec": 142,
      "intro": "这尊较小版《自由女神》由纽约自由女神像的作者巴托尔迪创作，是视频路线最有用的实体路标。它不只是“缩小版打卡点”，也提醒你奥赛雕塑散布于中轴大厅；绕到雕像后方即可进入绘画史主线的第一站。",
      "direction": "把雕像当成路口：拍照后绕到后方，寻找0层“Salle 1”。",
      "lookFor": "把雕像当成路口：拍照后绕到后方，寻找0层“Salle 1”。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0142_liberty.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/collections/catalogue-des-oeuvres",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 3,
      "kind": "路标"
    },
    {
      "id": "source",
      "order": 4,
      "title": "安格尔《泉》",
      "creator": "Jean-Auguste-Dominique Ingres · 1856",
      "level": "0",
      "zone": "1",
      "room": "1",
      "videoSec": 175,
      "intro": "安格尔用极平滑的笔触、拉长的人体比例与近似雕塑的正面姿态，把神话中的泉水宁芙塑造成学院派理想美的范本。仔细看人物轮廓如何像被嵌入壁龛，背景几乎没有纵深，身体反而像大理石雕像般稳定。",
      "direction": "先看轮廓，再看陶罐与水流；站远一点观察整个人体的S形线。",
      "lookFor": "先看轮廓，再看陶罐与水流；站远一点观察整个人体的S形线。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0175_source.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/la-source-525",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 6,
      "kind": "主线"
    },
    {
      "id": "gleaners",
      "order": 5,
      "title": "米勒《拾穗者》",
      "creator": "Jean-François Millet · 1857",
      "level": "0",
      "zone": "4",
      "room": "4",
      "videoSec": 536,
      "intro": "三位农妇在收割后的田地里捡拾遗落麦穗，弯腰、拾取、起身构成连续动作。前景人物沉重而有雕塑感，远处丰收景象明亮又繁忙，两者之间的尺度与光线差异，把农村劳动和财富分配的距离直接摆到眼前。",
      "direction": "看三个人的动作顺序，再比较前景阴影与远处金色收成。",
      "lookFor": "看三个人的动作顺序，再比较前景阴影与远处金色收成。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0536_gleaners.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/des-glaneuses-342",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 7,
      "kind": "支线必看"
    },
    {
      "id": "studio",
      "order": 6,
      "title": "库尔贝《画家的画室》",
      "creator": "Gustave Courbet · 1854–1855",
      "level": "0",
      "zone": "7",
      "room": "7",
      "videoSec": 304,
      "intro": "库尔贝把工作室画成一幅“现实寓言”：中央是正在画风景的自己，右侧聚集朋友、收藏家和文化人物，左侧则是社会众生。传统历史画的大尺寸被拿来讲画家自身与现实社会，正是现实主义挑战学院等级制度的关键动作。",
      "direction": "从中央的库尔贝开始，先扫右侧朋友，再扫左侧社会人物。",
      "lookFor": "从中央的库尔贝开始，先扫右侧朋友，再扫左侧社会人物。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0304_studio_courbet.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/latelier-du-peintre-927",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 7,
      "kind": "主线"
    },
    {
      "id": "burial",
      "order": 7,
      "title": "库尔贝《奥尔南的葬礼》",
      "creator": "Gustave Courbet · 1849–1850",
      "level": "0",
      "zone": "7",
      "room": "7",
      "videoSec": 308,
      "intro": "这幅约三米高、六米多宽的巨画，把普通乡村葬礼画成真人尺度，公然占用原本属于宗教和历史题材的规格。人物没有理想化，黑色衣群沿画面横向铺开；真正的震撼不是故事复杂，而是普通人突然获得了纪念碑级的重量。",
      "direction": "先退到能看全画的位置，再靠近观察脸、泥土和厚重黑色。",
      "lookFor": "先退到能看全画的位置，再靠近观察脸、泥土和厚重黑色。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0308_burial.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/un-enterrement-ornans-924",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 8,
      "kind": "主线"
    },
    {
      "id": "olympia",
      "order": 8,
      "title": "马奈《奥林匹亚》",
      "creator": "Édouard Manet · 1863",
      "level": "0",
      "zone": "14",
      "room": "14",
      "videoSec": 838,
      "intro": "马奈借用传统卧姿维纳斯构图，却把神话女神换成凝视观众的当代女性。扁平色块、突然的明暗对比和直视目光都拒绝温柔包装，因此在 1865 年沙龙引发强烈争议。注意黑猫、花束与侍女怎样暗示真实的现代生活。",
      "direction": "先和人物对视，再看白床单、黑猫和深色背景制造的强烈反差。",
      "lookFor": "先和人物对视，再看白床单、黑猫和深色背景制造的强烈反差。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0838_olympia.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/olympia-712",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 8,
      "kind": "主线"
    },
    {
      "id": "family",
      "order": 9,
      "title": "巴齐耶《家庭聚会》",
      "creator": "Frédéric Bazille · 1867–1868",
      "level": "0",
      "zone": "18",
      "room": "18",
      "videoSec": 728,
      "intro": "巴齐耶把十位家人安排在南法庄园露台上，几乎所有人都像拍合照一样看向观众。人物姿态略显拘谨，但树叶筛下的强烈阳光让白衣和地面出现明亮斑块，预告了印象派对户外光线的兴趣。画家本人站在画面最左侧。",
      "direction": "找最左侧高个子的巴齐耶，再追踪地面和白衣上的阳光斑点。",
      "lookFor": "找最左侧高个子的巴齐耶，再追踪地面和白衣上的阳光斑点。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0728_family.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/reunion-de-famille-59",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 6,
      "kind": "过渡"
    },
    {
      "id": "women",
      "order": 10,
      "title": "莫奈《花园里的女人》",
      "creator": "Claude Monet · 约1866",
      "level": "0",
      "zone": "18",
      "room": "18",
      "videoSec": 745,
      "intro": "年轻的莫奈把大尺幅画布搬到户外，为保持视点甚至在地面挖沟升降画布。人物并非重点肖像，同一位模特卡米耶扮演了多名女性；真正的主角是树影如何切过白裙、空气和阳光如何在画面中流动。",
      "direction": "不要先认脸；只看白裙被树影切开的灰、蓝、白色变化。",
      "lookFor": "不要先认脸；只看白裙被树影切开的灰、蓝、白色变化。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0745_monet_early.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/femmes-au-jardin-807",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 7,
      "kind": "主线"
    },
    {
      "id": "bazille",
      "order": 11,
      "title": "巴齐耶《巴齐耶的画室》",
      "creator": "Frédéric Bazille · 1870",
      "level": "0",
      "zone": "18",
      "room": "18",
      "videoSec": 773,
      "intro": "这间拉孔达明街画室是马奈、莫奈、雷诺阿等年轻艺术家的交往中心。画面中央高个子是巴齐耶，马奈替他补画了肖像；墙上还挂着被沙龙拒绝的作品。它像一张前印象派朋友圈合照，也记录了巴齐耶对朋友的实际支持。",
      "direction": "先找中央高个子，再看画中画、钢琴与围绕他的朋友。",
      "lookFor": "先找中央高个子，再看画中画、钢琴与围绕他的朋友。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0773_bazille_studio.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/latelier-de-bazille-60",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 6,
      "kind": "人物线"
    },
    {
      "id": "batignolles",
      "order": 12,
      "title": "方丹-拉图尔《巴蒂尼奥勒画室》",
      "creator": "Henri Fantin-Latour · 1870",
      "level": "0",
      "zone": "塞纳画廊",
      "room": "塞纳画廊",
      "videoSec": 794,
      "intro": "马奈坐在画架前，周围依次站着雷诺阿、左拉、巴齐耶和莫奈等人。深色服装、克制姿态和几乎没有装饰的空间，是在把被嘲笑的年轻先锋塑造成严肃群体。把这张“集体证件照”记住，5层会连续遇见他们的成熟作品。",
      "direction": "从坐着的马奈开始向右认人，最后是画面最右的莫奈。",
      "lookFor": "从坐着的马奈开始向右认人，最后是画面最右的莫奈。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0794_batignolles.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/un-atelier-aux-batignolles-210",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 7,
      "kind": "人物线"
    },
    {
      "id": "manet-lunch",
      "order": 13,
      "title": "马奈《草地上的午餐》",
      "creator": "Édouard Manet · 1863",
      "level": "5",
      "zone": "29",
      "room": "29",
      "videoSec": 904,
      "intro": "画面借鉴文艺复兴构图，却让一位全裸女性与两名穿当代服装的男子同坐林间。人物像被剪贴在扁平背景上，远处浴女比例也故意失衡。它既引用古典传统又拒绝神话借口，成为现代绘画摆脱学院规范的重要宣言。",
      "direction": "比较裸女的直视、两名男子的谈话，以及远处浴女不合常规的比例。",
      "lookFor": "比较裸女的直视、两名男子的谈话，以及远处浴女不合常规的比例。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/0904_manet_lunch.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/le-dejeuner-sur-lherbe-904",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 9,
      "kind": "主线"
    },
    {
      "id": "monet-lunch",
      "order": 14,
      "title": "莫奈《草地上的午餐》残片",
      "creator": "Claude Monet · 1865–1866",
      "level": "5",
      "zone": "29",
      "room": "29",
      "videoSec": 1097,
      "intro": "莫奈原想用更巨大的户外人物画回应马奈，后来画布因受潮被切割，只留下两块残片。与马奈的挑衅构图相比，莫奈更关心真实树林中的光：白餐布、衣料和树叶上几笔高亮，让瞬间日照成为画面的结构。",
      "direction": "站在两块残片之间想象原画尺寸，再找餐布上的亮白笔触。",
      "lookFor": "站在两块残片之间想象原画尺寸，再找餐布上的亮白笔触。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/1097_monet_lunch.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/le-dejeuner-sur-lherbe-10737",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 7,
      "kind": "对照"
    },
    {
      "id": "renoir",
      "order": 15,
      "title": "雷诺阿：阳光与舞会",
      "creator": "Auguste Renoir · 约1876",
      "level": "5",
      "zone": "30–33",
      "room": "30–33",
      "videoSec": 1168,
      "intro": "《煎饼磨坊的舞会》用蓝紫、粉橙和碎裂光斑把蒙马特露天舞场画成流动的人群。2026 年雷诺阿特展在 7 月19日结束，馆方正在调整回常设陈列，具体房间可能变化；在5层印象派区先看导览牌或官网当日定位，不要死记旧房号。",
      "direction": "优先找《煎饼磨坊的舞会》；看树影怎样把同一种光落到脸、衣服和桌面。",
      "lookFor": "优先找《煎饼磨坊的舞会》；看树影怎样把同一种光落到脸、衣服和桌面。",
      "pitfall": "2026-07-19特展结束后位置可能更新",
      "status": "date-check",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/1168_ball.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/bal-du-moulin-de-la-galette-497",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 10,
      "kind": "重要·先核位"
    },
    {
      "id": "waterlily",
      "order": 16,
      "title": "莫奈《睡莲池》",
      "creator": "Claude Monet · 1899–1900",
      "level": "5",
      "zone": "34",
      "room": "34",
      "videoSec": 1285,
      "intro": "奥赛保存的是吉维尼水园系列中的方形画面。桥、倒影、水面和植物几乎融成同一层，视线不再依赖传统地平线。不要只盯着一朵睡莲；退后比较整片色调，再靠近看短促笔触如何让水面同时显得平坦又有深度。",
      "direction": "先退后看整体色温，再靠近分辨水、倒影与植物的边界。",
      "lookFor": "先退后看整体色温，再靠近分辨水、倒影与植物的边界。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/1285_waterlily.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/artistes/oeuvres/127194/L",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 7,
      "kind": "主线"
    },
    {
      "id": "rouen",
      "order": 17,
      "title": "莫奈《鲁昂大教堂》组画",
      "creator": "Claude Monet · 1892–1894",
      "level": "5",
      "zone": "34",
      "room": "34",
      "videoSec": 1298,
      "intro": "莫奈反复画同一座教堂立面，以清晨、阴天和强光中的色彩变化取代“建筑肖像”。石头并非固定灰色，而会被环境光染成蓝、粉、金和紫。把相邻几幅连起来看，才能理解系列绘画如何把时间本身变成主题。",
      "direction": "不要逐幅看完再走；站在中间来回比较最亮处和阴影色。",
      "lookFor": "不要逐幅看完再走；站在中间来回比较最亮处和阴影色。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/1298_cathedral.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/la-cathedrale-de-rouen-le-portail-et-la-tour-saint-romain-effet-du-matin-1289",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 8,
      "kind": "主线"
    },
    {
      "id": "cezanne",
      "order": 18,
      "title": "塞尚：让苹果不再服从单一视点",
      "creator": "Paul Cézanne",
      "level": "5",
      "zone": "35",
      "room": "35",
      "videoSec": 1310,
      "intro": "塞尚的桌面常像倾斜，盘子和水果从不同视角同时被看见，却又凭色块彼此支撑。他不追求相机般的瞬间，而是在同一画面中累积观看过程。这种把自然拆成稳定形体的办法，后来直接启发了毕加索和立体主义。",
      "direction": "找一幅静物：沿桌缘、盘沿和苹果逐个检查，看看哪些角度彼此矛盾。",
      "lookFor": "找一幅静物：沿桌缘、盘沿和苹果逐个检查，看看哪些角度彼此矛盾。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/1310_cezanne.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/collections/peintures",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 8,
      "kind": "转折"
    },
    {
      "id": "vangogh",
      "order": 19,
      "title": "梵高在法国：自画像与奥维尔教堂",
      "creator": "Vincent van Gogh · 1886–1890",
      "level": "5",
      "zone": "36–37",
      "room": "36–37",
      "videoSec": 1452,
      "intro": "36、37厅按巴黎、阿尔、圣雷米和奥维尔梳理梵高在法国的最后四年。先看《自画像》里短促旋转的笔触，再到《奥维尔教堂》观察建筑如何像有生命一样扭动。尽量近看颜料厚度，再退后感受整幅画的方向和力量。",
      "direction": "把“传奇故事”暂时放下，只比较笔触方向、颜料厚度和色彩对撞。",
      "lookFor": "把“传奇故事”暂时放下，只比较笔触方向、颜料厚度和色彩对撞。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/1452_vangogh.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/articles/van-gogh-nouvelle-presentation-des-oeuvres-de-lartiste-au-musee-dorsay-277393",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 12,
      "kind": "压轴"
    },
    {
      "id": "seurat",
      "order": 20,
      "title": "修拉与新印象主义点彩",
      "creator": "Georges Seurat · 1891",
      "level": "5",
      "zone": "38",
      "room": "38",
      "videoSec": 1395,
      "intro": "修拉把颜色拆成细小笔点，让互补色在观众眼中混合。《马戏团》把圆弧形的演员动作与笔直、静止的看台对照，既热闹又像精密设计。先贴近看分离的色点，再退到几米外观察它们如何合成明亮色面。",
      "direction": "必须完成“近看—退后”两次观看；注意橙黄主调与蓝色边框。",
      "lookFor": "必须完成“近看—退后”两次观看；注意橙黄主调与蓝色边框。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/1395_seurat.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/le-cirque-542",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 8,
      "kind": "方法线"
    },
    {
      "id": "gauguin",
      "order": 21,
      "title": "高更：塔希提不是写生纪录",
      "creator": "Paul Gauguin · 1891–1898",
      "level": "5",
      "zone": "F. Cachin",
      "room": "F. Cachin",
      "videoSec": 1420,
      "intro": "高更用大块纯色、清晰轮廓和装饰性构图塑造塔希提想象，而非中性的民族志记录。《塔希提妇女》等作品既有强烈形式创新，也带着殖民时代欧洲人的投射。看画时同时保留两层：色彩结构的突破，以及凝视他者的权力问题。",
      "direction": "先看大色块与轮廓，再问自己：画中生活是谁的想象？",
      "lookFor": "先看大色块与轮廓，再问自己：画中生活是谁的想象？",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/1420_gauguin.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/femmes-de-tahiti-290",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 8,
      "kind": "后印象派"
    },
    {
      "id": "lautrec",
      "order": 22,
      "title": "图卢兹-劳特累克的夜巴黎",
      "creator": "Henri de Toulouse-Lautrec · 1890年代",
      "level": "2",
      "zone": "68",
      "room": "68",
      "videoSec": 1438,
      "intro": "劳特累克把歌舞厅、后台和边缘表演者画成现代都市生活的正面角色。《女丑角夏乌考》中夸张黄色领饰占据大半画面，急促笔触和不寻常裁切像海报或快照。它在2层68厅，不要按视频旧动线留在5层寻找。",
      "direction": "从黄色领饰开始，看它如何挤压人物、镜面和室内空间。",
      "lookFor": "从黄色领饰开始，看它如何挤压人物、镜面和室内空间。",
      "pitfall": "",
      "status": "verified",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/1438_lautrec.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/oeuvres/clownesse-cha-u-kao-724",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 8,
      "kind": "下楼收尾"
    },
    {
      "id": "rodin",
      "order": 23,
      "title": "罗丹未完成头像彩蛋",
      "creator": "Auguste Rodin · 可选",
      "level": "0",
      "zone": "中轴雕塑区",
      "room": "中轴雕塑区",
      "videoSec": 1599,
      "intro": "视频结尾把一件未完成头像当作彩蛋：脸部似乎正从粗糙石块中浮现，完成与未完成同时存在。雕塑陈列会随施工和借展调整，所以不要为它逆行；结束2层路线后回到中轴大厅，经过雕塑区时顺手寻找或直接询问馆员。",
      "direction": "如果找不到就跳过；它是收尾彩蛋，不值得为此打乱整条路线。",
      "lookFor": "如果找不到就跳过；它是收尾彩蛋，不值得为此打乱整条路线。",
      "pitfall": "",
      "status": "date-check",
      "subjectImage": "/Users/liao/Documents/Codex/2026-07-19/https-www-youtube-com-watch-v-3/work/orsay/candidate_stills/1599_rodin.jpg",
      "officialUrl": "https://www.musee-orsay.fr/fr/collections/sculptures",
      "mapUrl": "https://www.musee-orsay.fr/sites/default/files/2026-05/PLANGUIDE%20ORSAY%20Asie%20e%CC%81te%CC%8126_0.pdf",
      "minutes": 5,
      "kind": "有缘再看"
    }
  ],
  "sources": [
    {
      "title": "奥赛官网·参观信息",
      "url": "https://www.musee-orsay.fr/fr/visite",
      "kind": "official"
    },
    {
      "title": "施工期入口说明",
      "url": "https://www.musee-orsay.fr/fr/articles/travaux-au-musee-dorsay-330932",
      "kind": "official"
    },
    {
      "title": "2026中文官方地图 PDF",
      "url": "orsay_official_map_zh_2026-05.pdf",
      "kind": "official"
    },
    {
      "title": "完整路线数据 JSON",
      "url": "orsay_route_data.json",
      "kind": "official"
    },
    {
      "title": "视频章节与房间 CSV",
      "url": "orsay_video_chapters.csv",
      "kind": "official"
    },
    {
      "title": "逐镜分析数据包 ZIP",
      "url": "orsay_analysis_data_pack.zip",
      "kind": "official"
    },
    {
      "title": "顾爷《奥赛全攻略》",
      "url": "https://www.youtube.com/watch?v=NmxMZIEDrWc",
      "kind": "video"
    }
  ]
}